vanitas - significado y definición. Qué es vanitas
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Qué (quién) es vanitas - definición

TYPE OF SYMBOLIC WORK OF ART
Vanitas Vanitatum; Vanitas vanitatum
  • ''Vanitas'' by [[Antonio de Pereda]]

vanitas         
['van?t?:s]
¦ noun a still-life painting of a 17th-century Dutch genre containing symbols of death or change as a reminder of their inevitability.
Origin
L., lit. 'vanity'.
Vanitas         
A vanitas (Latin for 'vanity') is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are vanitas still lifes, a common genre in Low Countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres.
Vanitas (The Case Study of Vanitas)         
  • Among the multiple parts from Vanitas' design, there is an emphasis on hourglass-like earring which reflects the character's limited lifespan and how he is trying to accept the death of his relatives too.
  • [[Sherlock Holmes]] was a major inspiration for Vanitas.
FICTIONAL CHARACTER FROM THE CASE STUDY OF VANITAS
is the fictional protagonist and title character of the manga The Case Study of Vanitas, which was written by Jun Mochizuki. The character was named Vanitas of the Blue Moon, making him part of the Blue Moon clan with some vampire abilities.

Wikipedia

Vanitas

Vanitas (Latin for 'vanity') is a genre of art which uses symbolism to show the transience of life, the futility of pleasure, and the certainty of death. The paintings involved still life imagery of transitory items. The genre began in the 16th century and continued into the 17th century. Vanitas art is a type of allegorical art representing a higher ideal.

Ejemplos de uso de vanitas
1. As for RK–S himself, no truth in the rumour that he plans to announce the formation of Vanitas, a party backing low taxes and high tans.
2. In the traditional Vanitas the subjects are rich and valuable objects from the life of the world – combined with another object, the skull, or death‘s head, which shows their impermanence for what it is.
3. There is, however, no hint in it of a later tendency in his work toward "vanitas" – the notion that art should remind us that life is transient, that "all is vanity." Throughout his career, there is an evident tug–of–war between images of opulent good living (he painted for rich clients‘ houses) and a will to be restrained.
4. The curators remark on the trompe–l‘oeil and the paradoxes – the work is heavy, there is no content to this container, "a rubbish bag is the perfect modern vanitas object". And yet this work, too, at some primary level, is a contemplation of the work of eye and brain, first in really seeing something, in making vision – and then in reforming the vision in new and other material.